Moga grant of Bhīma I

Metadata

Current Version:  draft, 2024-09-02Z

Editor:   Dániel Balogh.

DHARMA Identifier: INSVengiCalukya00026

Hand Description:

Halantas. Final M is derived from the shape of a classical ma with an upward extension that bends right and then up again, but is now stylised into a circle with a tail on top that bends right and then up. The circle part is much like an anusvāra. E.g. l3 °litānāM. Final N is likewise based on na, but has only a horseshoe shape at the bottom, with the upward tail bending right, up, then right again. E.g. l10 māsāN. Final T is normally formed in the same way. A clear example is l17 avarddhayaT; the two instances in line 15 look rather like a regular ta, but I assume that the vertical extension is missing here because this is the first line of a plate.

Original punctuation marks are long, straight and plain verticals. This sign is doubled after l27 ca. The one after l14-15 āharata is unclear and may in fact consist of three short verticals.

Other palaeographic observations. Anusvāra is a fairly large circle well above the headline, atop or to the right of the consonant to which it belongs, occasionally atop the next character, probably only when displaced by a descender, e.g. the first anusvāra of l10 saptatriṁśataṁ is above śa, because stra in the previous line prevents it from being closer to tri. Occasionally it is also lowered to or below headline height, e.g. l1 Ekānnaviṁśatin, where jo and vi in the previous line (themselves pushed downward by descenders further above) prevent its regular placement. Rare jha occurs (as a subscript consonant) in l26 jhaṭiti. Upadhmānīya occurs before l45 parantapaḥ. Initial Ī occurs in line 52, but in the scanned photo it cannot be made out at all.


Additional Metadata

No metadata were provided in the table for this inscription

Edition

Seal

1(śrī?)-(t)ri(bhu)(vanāṁku?)(śa)

Plates

⎘ plate 1v 1svasti[.] śrīmatāṁ sakala-bhuvana-saṁstūyamāna-mānavya-sago-
2trānāṁ hārīti-putrāṇāṁ kauśikī-vara-prasāda-labdha-rājyānāṁ mātr̥-
3-gaṇa-paripā◯litānāM svāmi-⟨⟨mahāse⟩⟩na-pādānuddhyātānāṁ bhagavan-n(ā)-
4rāyaṇa◯-pras(ā)da-samāsādita-vara-varāha-lāṁch¿ā?⟨a⟩nekṣaṇa-
5-kṣaṇa-vaśīkr̥tārāti-maṇḍalānām aśvamedhāvabhr̥¿t?⟨th⟩a-snāna-pavi-
6trīkr̥ta-vapuṣāṁ cālukyānāṁ kulam alaṁkariṣṇos satyāśraya-va-
7l(l)abhendrasya bhrātā kub(j)a-viṣṇ(u)varddhano [’]ṣṭādaśa va(rṣā)ṇi[.] tat-suto ja(ya)-
⎘ plate 2r 8siṁhas trayastriṁśataM[.] tad-anujendrarāja-nandano viṣṇuvarddha(no) nava[.] tad-(ātma)-
9jo maṁgi-yuvarājaḥ paṁcaviṁśatin[.] tat-tanujo jayasiṁhas trayodaśa[.] ta-
10d-anujaḥ kokkil¡i! ṣaṇ māsāN[.] tad-¿āgrā?⟨agra⟩jo viṣṇurājas saptatriṁśataṁ[.] (tat-ta)-
11(nu)jo vija◯yāditya Ekānnaviṁśatin[.] tat-tanujo viṣṇurā(jaṣ ṣa)ṭtriṁ-
12(śa)ta(ṁ)[.] tat-sū◯nur vvijayādityaś catvāriṁśataM[.] tat-tanayaḥ ka(li)-vi-
13(ṣṇuvarddha)no [‘]ddhyarddha-varṣaM[.] tad-apatya-mukhyaḥ yas tu

I. Anuṣṭubh
kāliṁga-gaṁga-r(ūpyād)i
14(kośa)le¿ṣ?⟨ś⟩(a)-dvipādi ⟦(ja)⟧⟨⟨ca⟩⟩
pāṇḍya-pallava-hemādi
balā⟨t⟩ tyā(gārt)th(am ā)⎘ plate 2v 15haraT(|)

II. Anuṣṭubh
ga(ṁ)gān āropayad gaṁga-
-kū(ṭaṁ) maṁgi-śiro [’]cchina(T)
kr̥(ṣṇaṁ raṇe) 16[’]jayad vaktuṁ
kas samart¿t?⟨th⟩o [’]sya sāhasāN

sa vijayādityaś catuśca-
17tvāriṁśata(ṁ) ve(ṁ)gī-deśam anuvarṣam avarddhayaT|

III. Anuṣṭubh
jayasiṁgha-dvay(e) cai18vaṁ
viṣṇu◯varddhana-paṁcake
maṁginā kokkilau vijayā-
ditya-tra19ya Ite tataḥ|

tasya vijayādityasya bhrātur vvikramākrānta-saka-
20la-bhuvana-talasya vi⟦(jayā?)⟧⟨⟨(kramā)⟩⟩ditya-bhūpater agra-tanayaḥ

IV. Vaṁśamālā
21(Adhyāsta) siṁ(hā)sana(m ārddidad r)ipūn
api(spaśa)d (bh)ūmim a(naṁdaya)⎘ plate 3r 22t prajāḥ
yaśo vyatān(ī)t sad apūpujad ⟨d⟩vijān
ama(ṁ)sta sādhūn a23vahad guṇa-¿j?⟨s⟩rajaḥ|

V. Sragdharā
mattāditya-prasāda-dvirada-vara-guru-skandham ā24ruhya kopā◯T
cāpād unmukta-bāṇair udaya-girim ito bhānur u25srais tamisraṁ◯
yadvat ⟨t⟩advan nir¿a?⟨ā⟩sthad dhr̥ta-sakala-bhuvo yas tu goḷā26-taṭa-sthāN
karṇṇāṭān durddurūṭā¡n! jhaṭiti paṭu-naṭad-ghoṭakān lāṭa27kāṁś ca|

sa sarvva-lokāśraya-śrī-vi⟨⟨ṣṇuvarddhana-cālukya⟩⟩-bhīma-mahārā-
28jādhirāja-parameśvaraḥ parama-māheśvaraḥ varavara-rāṣṭra{kū}-
⎘ plate 3v 29-(ni)vāsino rāṣṭrakūṭa-pramukhān kuṭumbina Ittham ājñāpayati|

VI. Anuṣṭubh
30sarvvarājasya sāmanta-
-mukhyasya khyāta-tejasaḥ
Umā himāla31yasyeva
tailāmbākhyā sutābhavaT|

VII. Anuṣṭubh
tāṁ śrī-baladakayyākhy¿ā?⟨a⟩--
32(ma)ntādhipa◯tes sutaḥ
Avoḍha śaṁbhuvad yuddha-
malla¡ś! ¡ś!ū33(kara)-lāṁchanaḥ

VIII. Anuṣṭubh
tat-sutā(ṁ) śrī-mahādevī⟨ṁ⟩
dhavalāyata-locanā34m
aśoka-pallavākāra-
-pāṇi-pāda-talāṁguliṁ

IX. Anuṣṭubh
pīn{n}onnata-kucāna35mrāṁ
nimna-nābhīṁ guru-kṣitāM
pakva-bimbādharān tanvīṁ
tapta-he⎘ plate 4r 36ma-prabhāṁ śubhāṁ

X. Āryāgīti
niravadya-dhavala-putro naptā śrī-pāṇḍarāṁga37-sāmanta-pateḥ|
nuta-kaṭakarāja-vaṁśa-kramāgatānindya-paṭṭa-ba38ddha-lalāṭaḥ

yaś ca|

XI. Āryāgīti
manur iva sa-vicāra-girā harir iva lakṣmyā 39kr̥tānta ◯ (I)va śaurryeṇa
smara Iva rūpeṇa dhi40yā guru◯r iva dānena kalpatarur iva (bh)āti|

Api ca

XII. Śārdūlavikrīḍita
41śaurryaṁ duryyamam aryyama-dyuti vapuś cittaṁ svabhāvottamaṁ
42(sa)t(y)an (n)ityam anatyayaṁ jaya-paṭaṁ kāśa-prakāśaṁ yaśaḥ
sāram ⎘ plate 4v 43[bhū](ri) vic(ā)ra-cāru caritaṁ dānaṁ c¿ā?⟨a⟩ d(ī)na-(stutaṁ)
(jñā)na(ṁ) jñānavat(āṁ) [ma-]44(tan) tu vijayādityasya yasya kṣitau

XIII. Anuṣṭubh
(so?) [’]yaṁ śrī-vijayāditya45(s?)
(sa?)tya-vādya◯ḫ parantapaḥ
(yāṁ) prāpya dharmma-kāmārtthān
kr̥⟨ta⟩(vā)(n loka?)46(sā?)t kr̥t(ī)

ta◯(s)yai (śrī?)-mahādevyai tat-pati-(k)r̥ta-pūrvvo(pakāra-s)m(a)-
47raṇa-santuṣṭaḥ kr̥tajñatā-prakhyāpana-nimittaṁ sarvva-kara-parihāre-
48(ṇa) mogābhidhāno grāmo dattaḥ

Asyāvadhayaḥ[.] pūrvvataḥ
49(pu)liyeṟu-ṇāma nadī| Āgneyataḥ mūṇṭha-rāvula guṇṭha[.]
⎘ plate 5r 50(da)kṣiṇataḥ ceṁbaṟka-narendreśvara-kṣetraM| nair¡i!⟨r̥⟩tyāṁ tai(la)-(śa?)-
51(rvva)-kṣetraM| paścimataḥ devu(la-ce)ṟuvu| vāyavyataḥ ca(rmma)-
52ṇḍ(i)-paścima◯-taṭākaM(|) Uttarataḥ peddapūṇḍi-cariya(|) Ī-
53(ś)¿(a)?⟨ā⟩na(taḥ) r(i?)◯ṇṭha-mrāṁkulu| na kenacid asyopari bādh(ā) karaṇīyā(|)
54(ta)thā ca

XIV. Anuṣṭubh
ṣaṣṭiṁ varṣa-sahasrāṇi
svargge modati bhūmidaḥ
Ākṣeptā 55(cā)numantā ca
tāny eva narake vaseT|

Asyājñapti⟨ḥ⟩ (ka)ḍeya-rāja E-
56(va)[.] (bha)ṭṭa-vāmanena (ra)citam idaM[.] koṇḍācāryye(ṇa l)i(kh)i(taM)

Apparatus

Seal

1 (śrī?)-(t)ri(bhu)(vanāṁku?)(śa) • SS reports it as śrī-tri(bhuvanāṁku)śa, and the reading is of course in all probability correct, but from the published photos, it can only be confirmed as far as I indicate here.

Plates

3 -⟨⟨mahāse⟩⟩na- • The first three characters of this word are closely spaced, and and se are awkwardly formed (both in body shape and in the unusual positioning of their vowel markers). They thus seem to be a correction (possibly along with the preceding i marker), but there is no clear indication of the pre-correction text. Possibly, svāmihāsena or svāmahāsena was first engraved.
4 -pras(ā)da- • The vowel marker goes horizontally from the headmark, but bends downward still on the left of the consonant’s leg (rather than, as expected, passing above the leg and then bending down to the right of the consonant). It may have been added subsequently.4 -lāṁch¿ā?⟨a⟩nekṣaṇa- NV-lāṁchanekṣaṇa- SS
10 -¿āgrā?⟨agra⟩jo NV-¿ā?⟨a⟩grajo SS • Pre-modern correction may be present here. The superfluous ā mātrās may have been deleted, and it is also possible that tadānujo was first engraved and then corrected into the expected text.
11 viṣṇurā(jaṣ) SSviṣṇurājo NV
13 [‘]ddhyarddha-dhyarddha- SS; ‘dvārddha- NV • The character ddhya is faint but reasonably clear in the photo. NV’s v is probably a typo, but his omission of y may not be, as the sbuscript y is indiscernible in his estampage.
14 (kośa)le¿ṣ?⟨ś⟩(a)- SS(kośaleṣu) NV • I prefer SS’s reading even though it requires emendation, because I see no indication of u in either facsimile of the plate. I also find it more likely that a compound was used here, as in the other claims of this stanza. Nonetheless, NV may be correct that the composer’s intent had been kośaleṣu, and I cannot fully exclude the possibility that this is in fact engraved. In a footnote, NV emends his text to kosaleṣu, but this is unnecessary.14 -hemādi NV-hemādir SS • Possibly a typo in SS’s edition.14 balā⟨t⟩ tyā(gārt)th(am) SSbalātyārtham NV • Probably a typo in NV’s edition.
17 -deśam SS-d¿a?⟨e⟩śam NV • The vowel marker (on top of the consonant) is clear in the photo, though not in the rubbing.17 -dvay(e) SS-dvayaṁ NV • The vowel marker (on top of the consonant) is clear in the photo, though not in the rubbing.
21 (Adhyāsta) NVAdhyasta SS • Probably only a typo in SS.21 (ārddidad) SS(a)rddayad NV • NV may be right that only a is present here, but if so, then emendation into ā is warranted. SS’s reading (which he prints as clear throughout) is definitely superior and mostly confirmed by the facsimiles.21 api(spaśa)d (bh)ūmim SSapi sva{va}-bhūmi¿n?⟨m⟩ NV • SS’s reading is again far superior and, except for the illegible spa, confirmable from the facsimiles. NV’s emendation is unmetrical.21–22 a(pīpala?)/ta(naṁdaya)/t SS; avarakṣa/t NV • While NV’s reading is again definitely inferior (and unmetrical), in this case SS’s reading also seems to be incorrect. I see no indication of a subscript consonant where he reads nda, nor space at the end where ya might fit. My own suggestion is also very tentative; I must note that I see no vestige of ī, but the reading fits the context, and p-s seem probable as the main components of two successive characters.
23 -¿j?⟨s⟩rajaḥ SS-¿j?⟨v⟩rajaḥ NV
25 goḷā-godā- SS; go¿l?⟨d⟩ā- NV • NV’s reading l is probably a typo for . Both editors understand this name to mean the Godāvarī, but given the received spelling, this does not seem so certain.
26 jhaṭiti SSjhaḍiti NV26–27 lāṭa/kāṁś • The vowel marker in is attached to the subscript l.
27 -vi⟨⟨ṣṇuvarddhana-cālukya⟩⟩- • The first of the indicated characters, ṣṇu, may have been engraved only once; the following ones are definitely engraved over erased text, but nothing of the pre-correction text can be read.
31 -baladakayyākhy¿ā?⟨a⟩--baladakayyākhy¿ā?⟨aḥ⟩ NV; -baladakayyākhya- SS
34 -talāṁguliṁ NV-talāṁgu¿lliṁ? SS • The double l is probably a typo in Sankaranarayanan’s edition, and the reason he emends is only to normalise anusvāra.34 pīn{n}onnata- NVpīnonnata- SS
39 (I)va • The scribe has omitted the two circles that form the lower part of I.
43–44 jñānavat(āṁ) [ma-]/(tan) tu NVjñānavatām/(ta)mtu SS
44–45 -vijayāditya/(s sa?)tya--vijayāditya(ḥ) / [sa]tya- SS; -vijayāditya / (satya)- NV
45 -vādya◯ḫ-vādyaḥ SS; -vā¿d?⟨k⟩yaḥ NV • NV’s emendation is unnecessary.45 (yāṁ)(yaṁ) NV; ya⟨ḥ⟩ SS • This character is slightly awkward in shape (but not unique, compare the likewise narrow yaṁ in the previous line). I am quite certain that its right extremity is a downward-bending hook for ā rather than the upwar d arm of y. This is clearer in the rubbing, but also discernible in the photo.45–46 kr̥⟨ta⟩(vā)(n loka?)/(sā?)t kr̥t(ī)k¿ri?⟨r̥⟩[tavān loka-]/-[sa]t-kr̥tiṁ SS; kr̥cchra/vat-kr̥tī NV • SS’s kri is probably a typo for kr̥, since this character is clear. The next character is almost certainly , definitely without an intervening ta, so SS probably intended to supply an omitted ta here. After this point, the plate is badly effaced, with only vestiges visible in the rubbing and less than that in the photo. Nonetheless, these vestiges give some confirmation for most of SS’s reading, which he offers as a tentative restoration. After , nlo (especially a subscript l and the vocalisation o, the whole character being lowered because of the overhanging subscript y) is very plausible. Conversely, NV’s kr̥cchra is impossible; what he apparently saw as the subscript part of cchra is in fact the vowel marker of rvvo in the following line (which he misreads as rvva, see the apparatus there). NV’s reading is, moreover, hypometrical. Since there are probably only two characters after (though a very narrow additional character right after cannot be ruled out), I agree that one more syllable needs to be supplied and accept SS’s restoration with minor changes. I endorse NV’s reading of kr̥tī at the end of this segment. I construe the text very differently from how SS must have understood it, since I feel certain of the reading yāṁ earlier in the stanza, and to obtain a coherent sentence, read lokasāt instead of loka-sat. I remain far from certain in this reconstruction and my interpretation of the stanza. A scrutiny of the original may be helpful here.
46 ta◯(s)yai (śrī?)- NVtasyai[va ca] SS • Although SS prints a single dot for this lacuna, in a footnote he proposes to restore two characters into it, which definitely cannot fit here. The vestiges indicate śrī, which may thus be an integral part of the lady’s name rather than just an honorific.46 -(k)r̥ta- SS • There are some additional strokes here, including a circle that is almost certainly an i marker. It may be that kr̥ was engraved with a superfluous i; most likely, this character is a correction from a previously engraved ti.46 -pūrvvo(pakāra)- SS-pūrva-dāna-karmma NV • NV’s failure to read rvvo is because he mistook the vowel marker for a subscript component belonging to the line above. The rest of his reading is impossible to fit in the damaged part (he may have read the last character of the line first as rmma, then changed his reading to sma in light of the next line, but neglected to discard the initial rmma), while SS’s reading is fully in line with the vestiges.
49 nadī NVtaṭī SS49 mūṇṭha-muṇṭha- NV SS49 guṇṭha SSguṭṭa NV
50 ceṁbaṟkaceṁbaṟu SS; veṁbaṟku NV • The first character looks more like ce than ve, but these characters are too similar to tell apart for certain in an unfamiliar word. The last character, as engraved, is definitely ṟka.50–51 tai(la)-(śa?)/(rvva)-kṣetraM SStai / kṣetraṁ NV • NV apparently disregards the badly legible characters and even the fairly distinct rvva in the next line. In his discussion he speaks about taila-kṣetra, so he probably did read la here. SS prints only śa as unclear, and indeed, no decisive vestiges of this character are present. He assumes that this is the name of a Śiva temple connected to Tailāmbā. I accept the reading on his authority, but this needs confirmation from the original. Lacking such confirmation, it may be possible instead to restore taila-pūrvva-kṣetram, meaning a field that was already in the possession of the family of Tailāmbā.
51 devu(la-ce)ṟuvudevula-ceṟuva SS; devuḍu-ceṟuvu NV • The final a is probably a typo in SS. NV’s devuḍu can be ruled out. SS further notes that this term is engraved over an erasure. This is not obvious in the available facsimiles, but may well be the case, at least for the characters la-ceṟu.51–52 ca(rmma)/ṇḍ(i)- SScava/ṇḍi- NV • SS’s reading (which he prints as clear) is quite certain; the subscript m is clear and a superscript repha is likely in the last character of line 51. NV prints the name as cāvanṭi (sic) in his discussion.51 r(i?)◯ṇṭha-mrāṁkulureṇṭhamrākulu SS; renṭha-mrānkulu NV • The anusvāra in the second term is quite clear and is probably what NV had intended to indicate here. The vowel of the first character is distorted and damaged due to being on the edge of the hole. Reading it as e is possible, but I am more inclined to read i, encouraged by the fact that NV uses riṇṭha in his discussion.
55 Asyājñapti⟨ḥ⟩ SSĀjñaptiḥ NV55 (ka)ḍeya-rāja SSkaḍiya-rāja NV55–56 E/(va) SSE/vaṁ NV • The plate is badly weathered here, so an anusvāra cannot be ruled out, but I see no indication of one, and find the reading better without.

Translation by Dániel Balogh

Seal

Plates

1-13Greetings! Satyāśraya Vallabhendra (Pulakeśin II) was eager to adorn the lineage of the majestic Cālukyas—who are of the Mānavya gotra which is praised by the entire world, who are sons of Hārīti, who attained kingship by the grace of Kauśikī’s boon,↓1 who are protected by the band of Mothers, who were deliberately appointed (to kingship) by Lord Mahāsena, to whom the realms of adversaries instantaneously submit at the [mere] sight of the superior Boar emblem they have acquired by the grace of the divine Nārāyaṇa, and whose bodies have been hallowed through washing in the purificatory ablutions (avabhr̥tha) of the Aśvamedha sacrifice. His brother Kubja Viṣṇuvardhana [reigned] for eighteen years. His son Jayasiṁha (I), for thirty-three. His younger brother Indrarāja’s son Viṣṇuvardhana (II), for nine. His son Maṅgi Yuvarāja, for twenty-five. His son Jayasiṁha (II), for thirteen. His younger brother Kokkili, for six months. His elder brother Viṣṇurāja (Viṣṇuvardhana III), for thirty-seven. His son Vijayāditya (I), for nineteen. His son Viṣṇurāja (Viṣṇuvardhana IV), for thirty-six years. His son Vijayāditya (II), for forty. His son Kali Viṣṇuvardhana (V), for a year and a half. His firstborn progeny, the one who—

I.
forcibly seized, in order to donate it, the silver and other [goods] of the Kāliṅgas and the Gaṅgas, the elephants and other [goods] of the Lords of Kośala, and the gold and other [goods] of the Pāṇdyas and the Pallavas;

II.
pressed the Gaṅgas up to the Gaṅga peak, struck off the head of Maṅgi, defeated Kr̥ṣṇa in battle—who would be capable of recounting his daring deeds?

16-17—that Vijayāditya (III) strengthened the land of Veṅgī year after year for forty-four [years].

III.
Then, after two Jayasiṁhas and likewise five Viṣṇuvardhanas, Kokkili along with Maṅgi, and three Vijayādityas had thus passed—

19-20that Vijayāditya’s (III) brother was King (bhūpati) Vikramāditya who conquered the entire surface of the earth by his valour (vikrama). His firstborn son—

IV.
ascended the throne, pulverised his foes, held the earth in his fetters, ¿protected? his subjects, displayed his glory, duly worshipped Brahmins, honoured the worthy, bore garlands of virtue;

V.
the one who, wrathfully mounting the heavy shoulder of his excellent elephant the raging Ādityaprasāda, with the arrows released from his bow at once dispersed—just as the sun ascending Mount Sunrise [disperses] the darkness with its rays—the dastardly Karṇāṭas stationed on the bank of the Godā, who had occupied the entire earth, and the Lāṭakas with their smartly prancing horses—

27-29that shelter of all the world (sarva-lokāśraya), His Majesty Viṣṇuvardhana Cālukya-Bhīma (I), Supreme Lord (parameśvara) of Emperors (mahārājādhirāja) and supreme devotee of Maheśvara, commands all householders (kuṭumbin)—including foremost the territorial overseers (rāṣṭrakūṭa)—who reside in Varavara district (viṣaya) as follows:

VI.
The foremost baron (sāmanta) Sarvarāja of renowned valour had a daughter named Tailāmbā, as the Himalaya had [the daughter] Umā.

VII.
Yuddhamalla of the boar ensign, son of the foremost baron (sāmanta) named His Highness Baladakayya, married her as Śambhu [married Umā].

VIII, IX.
Their resplendent daughter Śrī-Mahādevī was slender but bent with [the weight of] her plump and firm breasts; her eyes were bright and wide, her fingers, toes, soles and palms resembled tender aśoka sprigs, her navel was recessed and her hips↓2 heavy, her lips were like a ripe bimba fruit, and her complexion was like heated gold.

X.
(Vijayāditya was) the son of Niravadya Dhavala, grandson of the lordly baron (sāmanta) His Highness Pāṇḍarāṅga and one whose head was wrapped in the impeccable turban duly inherited in the celebrated lineage of castellans (kaṭaka-rāja),

38and who—

XI.
appeared like Manu in his considerate speech, like Hari in his majesty {with Lakṣmī}, like Death in his valour, like Love in his physical beauty, like Guru (Br̥haspati) in his intellect, like a wish-fulfilling tree in his generosity;

40moreover,

XII.
the valour of this Vijayāditya was indomitable, his figure bright as the sun, his mind innately excellent, his truthfulness constant, his banner of victory unbroken, his reputation brilliant like tufts of kāśa grass, his wealth great, his demeanour thoughtfully pleasant, his generosity lauded by the needy, his wisdom esteemed by the wise on earth.

XIII.
He, His Highness the above Vijayāditya, truthful of speech and a scorcher of foes, accomplished [his goals] in having acquired her (the above Śrī-Mahādevī, as his wife), and thereupon distributed [objects of] (the three human objectives) religious duty (dharma), pleasure (kāma) and wealth (artha) to the populace.↓3

46-48To that Śrī-Mahādevī, ⟨we, Cālukya-Bhīma,⟩↓4 fondly recalling the previous service done by her husband, [have] granted the village named Moga with an exemption from all taxes, in order to proclaim [our] gratitude.

48-54Its boundaries [are as follows]. To the east, the river named Puliyeṟu. To the southeast, the Mūṇṭha-Rāvula pond (guṇṭha).↓5 To the south, the field of the Ceṁbaṟka-Narendreśvara [temple]. To the southwest, the field of the Taila-Śarva [temple]. ↓6 To the west, the Devula reservoir (ceṟuvu). To the northwest, the western tank (taṭāka) of [the village] Carmaṇḍi. To the north, peddapūṇḍi-cariya. ↓7 To the northeast, riṇṭha-mrāṁkulu.↓8 Let no-one pose an obstacle (to her enjoyment of her rights) over it. Moreover,

XIV.
A donor of land rejoices in heaven for sixty millennia, [while] a seizer (of granted land) and a condoner (of such seizure) shall reside in hell for just as many.

55-56The executor (ājñapti) of this [grant] is the castellan (kaḍeya-rāja)↓9 himself. This [grant] was composed (racita) by Bhaṭṭa Vāmana. Written (likhita) by Koṇḍācārya.

Translation into French by Estienne-Monod 2008

Seal

Plates

1-13Prospérité ! Kubja Viṣṇuvardhana, frère de Satyāśraya Vallabhendra, ornement de la lignée des Calukya, illustres, du même gotra que les descendants de Manu, honorés dans l’univers entier, fils de Hāritī, qui obtinrent leur royaume grâce à l’excellente faveur de Kauśikī, protégés par la troupes des Mères, méditant aux pieds du seigneur Mahāsena, dont le cercle des ennemis fut soumis en un instant à la vue du signe illustre de l’excellent sanglier, faveur octroyée par le bienheureux Nārāyaṇa, dont les corps furent purifiés par le bain purificatoire de l’aśvamedha, [régna] pendant dix-huit années ; son fils, Jayasiṁha, pendant trente-trois [années] ; le cher fils de son frère cadet Indrarāja, Viṣṇuvardhana, pendant neuf [années] ; le fils de celui-ci, Maṁgi-Yuvarāja, pendant vingt-cinq [années] ; son fils, Jayasiṁha, pendant treize [année] ; son frère cadet, Kokkili, pendant six mois ; le frère de celui-ci, Viṣṇurāja, pendant trente-sept [années] ; son fils Vijayāditya pendant dix-neuf [années] ;↓10 le fils de celui-ci, Viṣṇurāja, pendant trente-six [années] ; son fils Vijayāditya pendant quarante [années], le fils de ce dernier, Kali-Viṣṇuvarddhana, une année et demi ; Le prince de cette lignée,

I.
qui, rapporta, par la force, l’argent des Kāliṁga et des Gaṁga, etc., les éléphants des Kośala, etc., maître de l’or des Pāṇḍya et des Pallava, etc., dans le but de les donner ;

II.
contraignit les Gaṁga à monter sur le Gaṁgakūṭa, coupa la tête de Maṁgi,↓11 vainquit au combat Kr̥ṣṇa, - qui pourrait décrire les exploits que produisit sa fougue ?-

16-17Lui, Vijayāditya, fit prospérer à chaque saison le royaume de Veṅgī, pendant quarante-quatre années.

III.
Lorsque les deux Jayasiṁha, les cinq Viṣṇuvardhana avec Maṁgi, Kokkili, les trois Vijayāditya, s’en furent allés,

19-20le fils aîné du roi Vikramāditya, dont la vaillance avait conquis toute la surface de la terre, le frère de ce dernier Vijayāditya.

IV.
Il s’assit sur le trône, tourmenta ses ennemis, veilla sur la terre, fit la joie de ses sujets, étendit sa gloire vertueuse, honora les deux-fois-nés, respecta les saints hommes, porta des guirlandes de vertus.

V.
Monté sur les épaules d’un excellent maître éléphant ivre de fureur, faveur [octroyée] par Aditya,↓12 dans sa colère, des flèches décochées de son arc - tel le soleil parvenu Mont du Levant, chasse la nuit en dardant les rayons de la lumière matinale, il délogea les Karṇaṭa qui, tenant la terre entière, occupaient les rives de la Godā[varī], ainsi que, soudainement, les Laṭaka mécréants, dont les chevaux dansaient avec adresse.

27-29Lui, refuge du monde entier, l’illustre Viṣṇuvardhana Cālukya Bhīma, roi suprême des grands rois, seigneur suprême, dévôt de Māheśvara, ordonne ceci aux chefs de familles, habitant le rāṣṭra de Varavara, rāṣṭrakūṭa en tête :

VI.
Ce roi universel, éminent feudataire, au tejas renommé, telle Umā [née] d’Himalaya, avait une fille nommée Tailāmbā.

VII.
Le fils du seigneur des feudataires, - illustre, nommé Baladakayya -, l’épousa, comme Śaṁbhu, Yuddhamalla, porteur de la marque du sanglier ;↓13

VIII.
sa fille [fut] l’illustre Mahādevī, aux resplendissants yeux en amande, dont la peau des doigts des mains et des pieds étaient un massif de bourgeons d’aśoka,

IX.
qui ployait sous le poids de ses seins charnus et proéminents, au nombril profond, à la démarche grave, aux lèvres couleur du bimba mûr, menue, éclatante comme l’or en fusion, resplendissante.

X.
Le seigneur des feudataires, l’illustre Pāṇḍarāṁga, eut un descendant exempt de blâme et splendide, dont le front s’ornait du bandeau irréprochable hérité du lignage célèbre des kaṭakarāja ;

38et,

XI.
il ressemble à Manu par ses paroles réfléchies, à Hari par sa Fortune, à Kr̥tānta par sa vaillance, à Smara par sa beauté, par son intelligence, au guru,↓14 par sa libéralité à l’arbre à vœux.

40Et,

XII.
[Il possédait] une vaillance invincible, une beauté resplendissante, un esprit naturellement éminent, toujours sincère, exempt de méchanceté, [il possédait] une gloire à la forme éclatante [telle] un dais de ses victoires, la puissance, une conduite charmante [fondée] sur une abondante réflexion, [lui dont] les dons étaient loués par les nécessiteux, doué d’une sagesse estimée par les sages sur terre, [lui] Vijayāditya.

XIII.
L’illustre Vijayāditya, aux paroles sincères, destructeur des ennemis, atteignit la réalisation du dharma, du kāma et de l’artha,↓15

46-48[Vijayāditya], qui éprouvait de la reconnaissance au souvenir des services rendus par l’époux de celle-ci, donne à cette Mahādevī le village nommé Moga, exempté de toute taxe, à l’occasion d’une annonce portée à la connaissance [de tous],

48-54Les limites de ce dernier [sont] : à l’est le rivage nommé Puliyeṟu, au sud-est l’étang de Muṇṭha-Rāvula, au sud le terrain de Narendreśvara, Ceṁbaṟu, au sud-ouest tout le terrain de Taila, à l’ouest Devulaceṟuva, au nord-ouest un étang à l’ouest Carmmaṇḍi, au nord Peddapūṇḍi-Cariya, au nord-est Ṟeṇṭhamrākulu. Aucune charge ne doit lui être imposée. Ainsi Vyāsa a-t-il dit :

XIV.
le donateur d’une terre se réjouit pendant soixante mille années dans le ciel ; celui qui abroge [cette donation] ou l’approuve réside tout aussi longtemps en enfer.

55-56L’exécuteur de [ce don] est précisément le kaḍeyarāja. Cet [édit] a été composé par Bhaṭṭavāmana [et ] gravé par Koṇḍacārya.

Commentary

Sankaranarayanan gives the metre of stanza 4 as indravaṁśā, in which case the first quarter should begin with a short syllable.

In agreement with previous editors, I assume that Vijayāditya, introduced in stanza 10 as the son of Niravadya Dhavala and grandson of Pāṇḍarāṅga,↓16 married the lady Śrī-Mahādevī (father: Yuddhamalla; paternal grandfather: Baladakayya; mother: Tailāmbā; maternal grandfather: Sarvarāja). I further assume (again in agreement with them) that the donor is the king, who rewards Vijayāditya’s widow(?) for her husband’s service. To arrive at this, we need to understand santuṣṭaḥ in line 47 as an instrumental and supply a name or pronoun to which it stands in apposition (e.g. asmābhiḥ … santuṣṭaiḥ or cālukya-bhīmena … santuṣṭena). Were this not the case, the implication would be that Vijayāditya is the donor. This alternative possibility cannot be rejected out of hand, but would first require us to understand Śrī-Mahādevī and Tailāmbā to be the same person (whose father is Sarvarāja), and second, to emend dattaḥ in line 48 to an active verb, e.g. dattavān. Neither of these are impossible, but I believe that if the donor were not the king himself, then this would be stated more explicitly in the text and the king’s consent would also be mentioned.

Unlike the previous editors, I believe that the problematic stanza 13 (for which see the apparatus to line 45) in fact mentions their marriage explicitly. In this way, the description of Śrī-Mahādevī in the accusative in stanzas 8-9 is picked up by the accusative yāṁ in stanza 13, and the introduction of Vijayāditya in stanzas 10-12 is a parenthetical excursus.

Previous editors are probably correct to assume that Vijayāditya has died and that the grant is being made to his widow. This is implied by the fact that the recipient is the lady, but nowhere in the text is Vijayāditya’s death explicitly mentioned (unless the damaged and tentatively restored part of stanza 13 say this instead of what I restore in the edition). Moreover, the remark ājñaptiḥ kaḍeya-rāja eva (if eva is correctly read) may in fact imply that the executor is the very kaḍeya-rāja Vijayāditya who has been described in the text. The present-tense description of Vijayāditya may imply the same. The possibility should remain open.

Bibliography

Reported in ARIE 1960-1961: page 38, appendix A/1960–61, № 2 with discussion at ibid.: 14. Edited (from photos, impressions and the original) by S. Sankaranarayanan (1973: pages 95–104, № 2), with photographs of the plates and seal (no translation). Also edited by N. Venkataramanayya (1974) with photo of the seal and inked rubbings of the plates (no translation). The present edition by Dániel Balogh is based on a collation of the previous editions and the visual aids published with them. Both editions contain plenty of typographic mistakes; only significant ones are shown in the apparatus here and others are silently assumed to have been correctly read by the original editors.

Primary

Venkataramanayya, N. 1974. “The Mōga Grant of Chāḷukya Bhīma I.” Epigraphia Āndhrica vol III, by N. Venkataramanayya, edited by P.V. Parabrahma Sastry, 28–42. Epigraphical Series 7. Hyderabad: Govt. of Andhra Pradesh.
[siglum NV]
Sankaranarayanan, S. 1973. “Two Copper-Plate Charters of Chalukya Bhima I from Vinnakota.” EI 39: 81–104.
Pages 95–104, № 2. [siglum SS]

Secondary

ARIE 1960-1961. Page 38, appendix A/1960–61, № 2.
ARIE 1960-1961. 13.

Notes

↑1. Or, alternatively, by the grace of Kauśikī’s bridegroom, i.e. Śiva. In spite of its slight awkwardness, I prefer the former interpretation because the Bādāmi Cālukyas refer to themselves as nourished (saṁvardhita) by Kauśikī.
↑2. The word kṣitā or kṣita is not known from other sources, but must mean hips or buttocks here.
↑3. The reading of this stanza is problematic and may be incorrect in one or more spots. My tentative understanding of its meaning differs significantly from that of previous editors. See the apparatus to line 45 and the commentary.
↑4. See the commentary for my understanding of this elliptical passage.
↑5. Venkataramanayya, who reads muṇṭha-rāvula-guṭṭa, translates, ‘the hill with three(?) pipal trees’
↑6. My translation is based on Sankaranarayanan’s reading, but see the apparatus to line 50 for my doubts concerning this.
↑7. According to Sankaranarayanan, this means a precipice or valley belonging to Peddapūṇḍi village. Venkataramanayya elaborates this to ‘a hollow between hills in which stood the village’.
↑8. According to Sankaranarayanan, who reads reṇṭha-mrākulu, this means ‘some two trees (?)’. Venkataramanayya’s gloss of the term is ‘soap-nut trees’.
↑9. The term kaḍeya-rāja, equivalent to kaḍa-eṟeya and kaṭaka-rāja, is normally understood to mean a chief officer of the royal camp (cf. Fleet 1902–1903: 183–185 and Sircar 1966: s.v. kaṭaka–rāja). However, as it seems to denote a very high hereditary office in the Cālukyan court, I believe it had in this case no direct association with any army camps.
↑10. Toutes les autres inscriptions de notre corpus attestent une durée de règne de 18 années.
↑11. Il est aussi question de ce personnage dans les insc. nos 32, str.5 ; 37, str. 10, 41.
↑12. Le nom Aditya désigne à la fois le dieu et son oncle Vijayāditya qui lui a légué le royaume.
↑13. La strophe 7 poursuit peut-être la comparaison diagrammatique entre la lignée divine śivaïte et la lignée du héros. La relation bimba-pratibimba est fondée sur l’analogie entre la relation filiale de Tailāṁbā et Sarvarāja et celle d’Umā et Himālaya. La comparaison de Baladakayya à Śaṁbhu incite à penser que cette figure se poursuit sur la strophe 7 : la relation conjugale de ce dernier et Tailāṁbā correspondant à celle de Śiva et Umā. Mais le composé sūkara-lāṁchanaḥ, « porteur de la marque du sanglier », dans le pāda d, ne peut désigner que Viṣṇu, lui aussi qualifié souvent de « Śaṁbhu ». Cette expression est une allusion au sceau des Cālukya de Veṅgī.
↑14. Br̥haspati.
↑15. Il manque cinq syllabes. On attend, après l’énumération des trois buts, l’évocation du quatrième but, mokṣa. Le fait que le roi fasse un don de village à Mahādevī corrobore l’hypothèse que ce personnage soit mort.
↑16. This genealogy is confirmed in lines 44-45 of the Maliyapūṇḍi grant of Amma II.