Current Version: draft, 2024-09-02Z
Editor: Dániel Balogh.
DHARMA Identifier: INSVengiCalukya00008
Hand Description:
Halantas. T: ta shape (actually more like na), with elongated stem and no headmark. E.g. l1 vāsakāT, l24 vaseT.
Other palaeographic observations. The inscription features an explicit vowel killer, see apparatus note to line 6, viṣ·ṇuvardhana-. In addition to the typical southern form of ra, there occurs an alternative form with a single stem and a secondary serif at the bottom (e.g. l2 paripālitānāṁ and especially l5 karasya). Many instances of ta are objectively indistinguishable from na; otherwise, ta is distinguished by a longer right limb, but even then this right limb does not curl back under the body.
No metadata were provided in the table for this inscription
⎘ plate 1v 1svast(i) śr(ī)mad-asanapura-vāsakāT[.] sv(ā)m(i)-mahāsena-pādānudhyātānāṁ hār(i)t(ī)-putrāṇā(ṁ)
mānavya-
2-sagot(r)āṇāṁ mātr̥-gaṇa-paripālitānāṁ Aśvame(dha)-yā(j)ināṁ calukyānāṁ vi(ś)u(d)dha-vaṁ(ś)o(da)-
3ya-giri-śikharodita-kṣitipaty-ahimadīdhit(e)ḥ sakala-jagad-ā⟨r⟩tti-hara-karmaṇa(ḥ)
4śrī-kī⟨r⟩tivarmaṇaḥ priya-naptā śaśalā(ñcha)nasyeva sakala-jagan-ma(no)-nayanāna-
5ndana-karasya sva-rūpa-lāvaṇyāvajita-makara¿th?⟨dh⟩vajasya makaradhvajāpara-nāmnaḥ śrīmad-aida⟨ṁ⟩yugīna-
6-viṣṇoḥ viṣ·ṇuvardhana-mahārājasya priya-(t)anayaḥ pravarddhamānodaya-pra(t)āpopana(t)a-sama-
⎘ plate 2r 7sta-sāmanta-makuṭa-taṭa-ghaṭita-maṇi-mayūkha-mañjarī-puṁja-piṁjarita-caraṇāravinda-yugalaḥ
nija-
8-guṇa-dīdhiti-kalāp¿a?⟨ena⟩ kaliyuga-dhvāntaṁ nirākariṣṇuḥ Ākhaṇḍala Ivākhaṇḍita-paur¿a?⟨u⟩ṣaḥ pa-
9rama-brahmaṇyo mātā-pitr̥-pā¿t?⟨d⟩ānudhyātaḥ śrī-(ja)yasiṁha-vallabha-mahārājaḥ gaṇḍe-
10ṟuvāḍyā(ṁ) vyāghra-nadyāś cottarataḥ vanneṟu-nadyāś ca tīre gaṇḍeṟu-rājadhānyāḥ
11pūrva-dig-vibhāge ¡gavyūta!⟨gavyūti⟩-dvaye niḍubaṟu nāma grāmam adhivasataḥ ku¿ḍ?⟨ṭ⟩uṁbinaḥ samavetā-
12n ājñāpayati
viditam astu vo yathāsanapura-sthāna-nivāsino (ghaṭikā-s)āmānya-
⎘ plate 2v 13sya sa-pada-kramānukramādh(ī)ta-veda-dvayasya sa-kalpopaniṣat-purāṇetihāsāneka-dha(r)ma(śā)stra-
14-vidaḥ maṇḍaśarmanaḥ pautrāya sva-pitur adhika-guṇa-saṁpad-gaṇ¿ā?⟨o⟩pārjita-nirmala-yaśo-vi(śe)-
15ṣe(ṇa?) Ā(t)mano [’]nvayam alam alaṁkariṣṇoḥ Agniṣṭoma-yājinaḥ śivarudraśarmana(ḥ)
16putrāya dv(i)-v(e)dādhyāyine yajñāgamopaniṣan-mantrārtth¿i?⟨e⟩tihāsa-purā(ṇa)-dharma-
17śāstra-v(i)mal(ī)kr̥ta-vin¿a?⟨ī⟩ta-mataye hārīta-sagotrāya taittirīya-sabrahmacār¿a?⟨i⟩ṇe kāṭiśarmaṇe
18kārtika-paurṇamā(syāṁ) mātā-pit(r)or āt(m)anaś (c)a yaśaḥ-puṇyābhi¿virdha?⟨vr̥ddha⟩ye saṁp(r)at(t)o [’]yam niḍ(u)pa-
⎘ plate 3r 19ṟu nāma grāmaḥ[.] nāsya bādhā karaṇīyā
Atra vyāsa-gītāḥ
1-12Greetings from the residence at majestic Asanapura. The dear grandson of His Majesty Kīrtivarman, whose actions dispel the suffering of all the world, who is a fiery-rayed sun among kings, arisen at the top of the Sunrise Mountain (udaya-giri) that is the pure family of the Calukyas—who were deliberately appointed (to kingship) by the Divine Lord Mahāsena, who are the sons of Hāritī, who are of the Mānavya gotra, who are protected by the troop of Mothers and who have performed the Aśvamedha sacrifice—; the dear son of King (mahārāja) Viṣṇuvardhana, who like the hare-marked moon gladdens the hearts and eyes of the entire world, who is a majestic Viṣṇu of this epoch, also named Makaradhvaja because he surpassed the crocodile-bannered [Kāma] by the loveliness of his figure; [namely] His Majesty the supremely pious Jayasiṁha Vallabha—who was deliberately appointed (as heir) by his mother and father, whose pair of lotus feet are engilded by a mass of beams sprayed from gems fitted to the surfaces of the crowns of all the subordinate rulers (sāmanta) forced to bow by his progressively increasing valour, who is eager to dispel the darkness of the Kali age with the cluster of light-rays that are his own virtues, and whose prowess is inviolate (akhaṇḍita) as that of Indra (ākhaṇḍala)—commands the assembled householders (kuṭumbin) inhabiting the village named Niḍubaṟu (which lies) in (the district) Gaṇḍeṟuvāḍi, to the north of the river Vyāghra and on the bank of the river Vanneṟu, two gavyūtis from the capital city (rājadhānī) Gaṇḍeṟu in the eastern direction [as follows]:
12-19Let it be known to you that to the grandson of Maṇḍaśarman, a resident of the locality↓1 of Asanapura and an affiliate of the ¿royal college? (ghaṭikā)↓2who studied two Vedas along with their pada, krama and anukrama and was familiar with many legal treatises (dharmaśāstra) along with the Kalpa, Upaniṣads, Purāṇas and Itihāsas; the son of Śivarudraśarman, a performer of the Agniṣṭoma sacrifice eager to adorn his lineage with the specially pure reputation earned by his abundant wealth of virtue that exceeded [even that of] his father; [namely to] Kāṭiśarman of the Hārīta gotra and the Taittirīya school, who has studied two Vedas, whose mind has been purified and disciplined through (studying) sacrifices, the lore (āgama), the Upaniṣads, the meaning of mantras, the Itihāsas, the Purāṇas and legal treatises (dharmaśāstra), I have granted this village named Niḍupaṟu at the full moon of Kārttika in order to increase the reputation and merit of my mother, father and myself. Let no obstacle be posed to this.
20With regard to this, [these verses were] sung by Vyāsa:
1-12Prospérité ! De la résidence de l’illustre Asanapura, le grand roi illustre Jayasiṁha Vallabha, cher petit-fils de l’illustre Kīrtivarman, qui détruisit la souffrance dans tout l’univers, soleil des rois, levé au-dessus du sommet de la montagne de l’Orient↓4 qu’est la lignée pure des Calukya, méditant aux pieds du seigneur Mahāsena, fils de Hārītī, de la même lignée que les descendants de Manu, protégés par la troupe des Mères, eux qui pratiquaient le sacrifice de l’aśvamedha, cher fils du grand roi Viṣṇuvardhana, illustre Viṣṇu vivant dans ce yuga↓5, tel le porteur du signe du lièvre,↓6 doué de lumière, qui réjouissait les esprits et les yeux de tout l’univers, lui qui vainquit par la beauté de son corps Makaradhvaja, (et qui était) aussi nommé Makaradhvaja, lui dont les deux pieds de lotus sont rougis par les fleurs que sont les rayons des pierres précieuses serties sur l’orbe des diadèmes de tous les feudataires, inclinés devant sa prospérité et sa majesté grandissantes, lui qui dissout l’obscurité du Kaliyuga avec le faisceau de rayons lumineux que sont ses propres vertus, tel Ākhaṇḍala,↓7 mettant en pièce les hommes (ennemis), très pieux, méditant aux pieds de sa mère et de son père, ordonne aux chefs de familles, rassemblés, résidant dans le village nommé Niḍubaṟu, dans (la circonscription) de ¿Gaṇḍeṟuvāṭyām?, au nord de la rivière Vyāghra et sur la rive de la rivière Vanneṟu, à deux gavyūti à l’est de la résidence royale de Gaṇḍeṟu :
12-19qu’il soit connu de vous que [nous] donnons au petit-fils de Maṇḍaśarman, habitant le camp d’Asanapura, disciple des Ghaṭikā↓8, qui a étudié deux Veda avec leurs pada, krama et anukrama,↓9 qui connaissait de nombreux Dharmaśāstra, avec les Kalpa, Upaniṣad, Purāṇa et Itihāsa, au fils de Śivarudraśarman, grand ornement de sa lignée par son exceptionnelle gloire immaculée procurée par la foule des vertus et richesses de son père, qui pratiquait le sacrifice de l’agniṣṭoma,↓10 à Kāṭiśarman, qui étudie deux Veda, dont la pensée purifiée est versée dans les sacrifices, les Āgama, Upaniṣad, le sens des Mantra, les Itihāsa, Purāṇa et Dharmaśāstra, du même gotra que les descendants de Hārītā, appartenant à l’école de Taittirīya, ce village de Niḍupaṟu, en vue de l’accroissement de nos mérites et gloire ainsi que ceux de notre mère et de notre père. Aucune charge ne doit lui être imposée.
20Voici les vers de Vyāsa :
Each plate is engraved with 6 lines, of which the third and fourth begin with an indent, skipping the space around the binding hole.
First reported in ARIE 1916-1917: page 6, appendix A/1916–1917, № 7 with a description at ARIE 1916-1917: page 113, §19. Edited from estampages by E. Hultzsch (1925-1926) with estampages of the plates and photograph of the seal, with an abstract (not a full translation) of the contents. Also edited in Bhārati, Vol. II, No. 5, pp. 90 ff, not traced. The present edition by Dániel Balogh is based on a collation of Hultzsch’s text with estampages preserved at the ASI (Mysore).↓12
↑1. In a discussion of the Puloṁbūra Grant, Sankaranarayanan (1977: 74) suggests that sthāna may be equivalent to ghaṭikā-sthāna, but the ghaṭikā is mentioned here as clearly separate. Nonetheless, sthāna may refer to some kind of institution (e.g. a residential complex?) rather than merely
to a locality.
↑2. For the word ghaṭikā, see IEG Sircar 1966: s.v. ghaṭikā, Kielhorn 1900–1901, and Sankaranarayanan 1977: 236–238, but compare Tieken and Sato 2000.
↑3. The name and description of this person are problematic. See the apparatus to line
19 for the uncertainties regarding this passage.
↑4. Montagne au-dessus de laquelle le soleil et la lune se lèvent. Le poète crée une homologie
au moyen de la figure de style biṁba-pratibiṁba : Kīrtivarman est le soleil, son fils Viṣṇuvardhana la lune, la lignée des Cālukya
la montagne de l’Orient.
↑5. Pour le commentaire de ce composé voir l’inscription n°14 du même roi, on le rencontre
aussi dans les plaques nos 15 et 16.
↑6. La lune, Candra.
↑7. Indra.
↑8. Cf. E.P. VIII p. 26 n. 1 et S.I.I. II, p. 502, 510.
↑9. Mode de récitation des Veda qui consiste à dire le texte en marquant une pause après
chaque mot (pada), puis chaque mot avec le suivant (krama) et à réciter un index de mots (anukrama).
↑10. Sur ce sacrifice, cf. insc. n°8. Mentionné aussi in insc. nos 8, 15, 16 et 20.
↑11. Nous retenons la leçon proposée par l’éditeur.
↑12. The estampages are accompanied by a Telugu transcript and do not include an image
of the seal.