Current Version: draft, 2026-09-18Z
Editor: Natasja Bosma.
DHARMA Identifier: INSDaksinaKosala00050.xml
Hand Description:
No metadata were provided in the table for this inscription
⎘ plate 1v 1v1| svasty aśeṣakṣit¿i?⟨ī⟩śavidyābhyāsaviśeṣāsādita{ḥ}mahan¿i?⟨ī⟩yavina-
1v2yasampatsa⟨ṁ⟩pāditasakalavijig¿i?⟨ī⟩ṣuguṇo guṇavatsamāśraya⟨ḥ⟩ pra-
1v3kr̥ṣṭataraśauryyaprajñāprabhāvasambhāvitamahābhyudaya⟨ḥ⟩ kārttikeya
1v4Iva kr̥◯t⟨t⟩ivāsaso rājñaḥ śr̥¿i?⟨ī⟩harṣadevasya s¿u?⟨ū⟩nuḥ somava¡ṅ!⟨ṁ⟩śa-
1v5sambhavaḥ paramamāheśvaro mātāpitr̥pādānudhyātaḥ śr¿i?⟨ī⟩mahāśivagu-
1v6ptarājaḥ kuśal¿i?⟨ī⟩| ¿u?⟨o⟩ṇibhog¿i?⟨ī⟩yaśuṣkasirillikāyāṁ br¿a?⟨ā⟩hmaṇā⟨ṁ⟩ sampū-
1v7jya sapradhānā¡t!⟨n⟩ prativāsinonyā¡ṅ!⟨ṁ⟩ś ca samāha⟨r⟩tr̥san⟨n⟩idhātr̥prabh¡ri!⟨r̥⟩t¿i?⟨ī⟩⟨n⟩ yathā-
⎘ plate 2r 2r1kālādhyāsinas sarvvarājapuruṣā¡ṅ!⟨n⟩ samājñāpayati
viditam astu
2r2bhavatā⟨ṁ⟩ yathāsmābhir ayaṁ grāmas sanidhis sopanidhir acāṭabhaṭapra-
2r3veśas sarvvakarādānasametas sarvvap¿i?⟨ī⟩ḍā⟨vi⟩varjjita⟨ḥ⟩ sadaśāparādhaḥ
2r4kosalā◯nagarapratiṣṭhitaśr¿i?⟨ī⟩śivanandin¿e?⟨a⟩kāritakapā-
2r5leśvarabhaṭṭārakayo khaṇḍasphuṭitasaṁskārakaraṇāya balicaru-
2r6pravarttanāya ¡mu!⟨U⟩dakapūrvvam ācandrārkkasamakālopabhogāya mātā-
2r7pittror ātmanaś ca puṇyābhi¡b!⟨v⟩r̥ddhaye śr¿i?⟨ī⟩śivanandivijñaptyā tām{v}raśāsane-
⎘ plate 2v 2v1na pratipādita{ḥ} Ity
avagamya vidheyair bhūtvā yathocitabhogabhāgam upa-
2v2nayadbhi⟨ḥ⟩ bhavadbhi⟨ḥ⟩ sukhaṁ prativasta¡b!⟨v⟩yam iti| bhāvinaś ca bhūmipālān u-
2v3d⟨d⟩iśyedam abhidh¿i?⟨ī⟩yate
¿Ā?⟨A⟩pi ca
vyāsag¿i?⟨ī⟩tā⟨ṁ⟩ś cātra ślokān udāharanti
¡i!⟨I⟩ti|
The charter of Śivagupta, son of the illustrious king Harṣagupta, who is possessed of good qualities, endures as long as the existence of the world
1v1-2r1Success! Hail! The illustrious and great king Śivagupta who has been born in the Lunar Dynasty as the son of a king, the illustrious Harṣadeva, like Kārttikeya is of Kr̥ttivāsas (i.e., Śiva); who is entirely devoted to Maheśvara; who is favoured by his father and mother; and who is in good health: He has acquired all the qualities of a conqueror through the perfection of praiseworthy discipline, effected in particular by implementing all the “political sciences”; he is a refuge for the virtuous; and his great prosperity has been brought about by his superior valour, intelligence, and strength! After having saluted the Brahmins in the village of Śuṣkasirillikā situated in the Oṇi bhoga, [the king] issues [the following command] to all royal officers, beginning with the collector and the receiver; to those who are temporarily posted [in the village], and to the other inhabitants [of that village] with their headman:
2r1-2v1Let it be known to you that by means of [this] copperplate charter and preceded by a libation of water, this village has been granted by us for the increase of religious merit of father, mother, and ourselves, to [the temple of the god] Kapāleśvara-bhaṭṭāraka, which was constructed by Śivanandin, a resident of Kosalānagara. [The grant], which is meant to be enjoyed as long as the moon and the sun will endure, was issued at the request of Śivanandin for the purpose of [financing] the repair of the temple’s broken parts and the performance of bali and caru offerings and comes along with [the right to] hidden treasures and deposits; the exemption from being entered by irregular or regular troops; [the right to collect] all taxes [payable to the king]; the exemption from all kinds of unpaid labour; and [the right to] punish and realise fines for the ten offences.
2v1-2v3Knowing this, [you] should be obedient [to the received orders] and render the proper [shares of] periodical offerings and produce, while living happily [in this village]. And this is said for the instruction of the future kings:
And also:
2v7And in this respect they quote the [following] stanzas sung by Vyāsa:
Despite being a complete set of three copperplates, the content of this charter is unfinished: The text ends abruptly after the exhortatory verses, which means that there is no concluding section with a date in regnal years.
Edited by Shastri 1995: 138–140; re-edited here by Natasja Bosma based on the published photographs.